Editions

Organ Music of John Redford

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​Although musicologists have long been aware of the amazing wealth and quality of English organ music of the first half of the sixteenth century, this repertoire, unlike English vocal music of the same period, remains practically unknown. Many organists are however acquainted with the contemporary Italian, German and French organ music, which, subject to its strict modal rules, has rightly been described as being heavy and lacking the easy gait of that of John Redford and his school. Alongside real little gems, Redford’s longest piece in three-part counterpoint with its plethora of contrasting ideas, using the extremes of the C-a´´ keyboard, is best described as a Fantasia. For most listeners, only its title, Precatus est Moyses, indicates its liturgical background; other pieces in this genre include the long Felix namque settings by Tallis found in the Fitzwilliam Virginal Book.
​The fault of this appalling neglect lies primarily with editors who have not respected the well-known fact that English organs of the period were pitched half an octave higher than the normal organ of today; this music therefore obviously needs to be transposed if the player is to glean the slightest idea of how it should sound. I have therefore transcribed most of Redford’s contrapuntal organ music so that it can be played at something like the pitch at which it was intended to sound. The music may be viewed here. I have also recorded a number of the pieces; they may be heard here.
​I dedicate this work to the memory of Dominic Gwynn and Martin Goetze who recreated organs of the period. For details of these instruments, known as  “The Early English Organ Project”, see www.goetzegwynn.co.uk/organ/the-new-wetheringsett-organ and www.goetzegwynn.co.uk/organ/the-wingfield-organ


​See also my article Early English Organ Music - a victim of neglect and misunderstanding, in «Informazione Organistica e Organologica», VII (2026).

View or download PDF Transcriptions of the Music here.

To listen to some of these pieces go to the Recordings section of this website.


Girolamo Frescobaldi: Fiori Musicali in partitura a quattro utili per sonatori, Venice 1635

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Edition in open score (modern clefs) by CS for Armelin Musica, Padua 1997

Girolamo Frescobaldi: Mottetti a 1, 2 e 3, Rome 1626, 1618, 1621, 1625 & 1627

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containing all the pieces from Frescobaldi's Liber Secundus Sacrarum Modulationum, Rome 1627, that have survived complete (one of the 4 voice part-books is lost) ed. CS for G. Zanibon, Padua 1986, in the series Capolavori Musicali dei secoli xvii e xviii: General editor: Kenneth Gilbert

Giovanni de Macque: Ricercari (MS Florence)

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ed. CS - G. Zanibon, Padua 1986, in the series Capolavori Musicali dei secoli xvii e xviii: General editor: Kenneth Gilbert

Ascanio Mayone: Diversi Capricci per Sonare I & II, Naples 1603, 1609

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ed. CS for G. Zanibon, Padua 1981-2, in the series Capolavori Musicali dei secoli xvii e xviii: General editor: Kenneth Gilbert

Frescobaldi Orgel- und Clavierwerke III

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Il Secondo Libro di Toccate, Canzone, Versi d’Hinni, Magnificat, Gagliarde, Correnti et altre Partite (Rom, Borboni, 1627, 1637)

Frescobaldi Orgel- und Clavierwerke II - Capricci

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Frescobaldi Orgel- und Clavierwerke II - Capricci, published by Bärenreiter

Frescobaldi Orgel- und Clavierwerke I.2

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Frescobaldi Orgel- und Clavierwerke I.2 published by Bärenreiter

Frescobaldi Orgel- und Clavierwerke I.1

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Frescobaldi Orgel- und Clavierwerke I.1 published by Bärenreiter