Christopher Stembridge

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Articles

"17th-century German Preludes"? The Discovery of an Unexpected Source of an Intonatio by Andrea Gabrieli See the article

'L'interpretazione delle opere per tastiera di Girolamo Frescobald iii: Tempi, Affetti e Passaggi, Ornamentazione', Informazione Organistica 21 (2009?) in the press

'Frescobaldi and the Art of Counterpoint' in Organists' Review, August 2009 

'L'interpretazione delle opere per tastiera di Girolamo Frescobald ii: Strumenti, ambiti e accordatura articolazione e diteggiatura', Informazione Organistica 20, 2008, p.115-140

'L’interpretazione delle opere per tastiera di Girolamo Frescobaldi i: Le edizioni a stampa dal 1615 al 1637', Informazione Organistica 19, 2008, p.5-39

'Interpreting Frescobaldi in the light of contemporary Italian performance practices' ii. The Organ Year Book xxxv (2006) p.95-133

'Interpreting Frescobaldi. The notation in the printed sources of Frescobaldi's keyboard music and its implications for the performer', The Organ Year Book xxxiv (2005) p.33-60

'War die Herz-Orgel streng mitteltönig gestimmt?', Studia Wilthinensia artis organi band 1: Orgel und orgelmusik im 17. Jahrhundert: Daniel Herz und sein Umfeld tagungsbericht. Ed. K. Estermann, Innsbruck, 2003

'La musica antica e l'esecutore di oggi', Informazione Organistica Nuova serie 1, 2002

'Italian organ music to Frescobaldi', The Cambridge Companion to the Organ, ed. Thistlethwaite and Webber, Cambridge, 1998, p.148-163

'Frescobaldis Fiori Musicali (1635)', Dux et Comes - Festschrift Franz Lehrndorfer, Regensburg, 1998

'Tre organi in cerca di un compositore e un bocchettista singolarissimo', 53a Settimana Musicale Senese, Siena, 1996, p.164-168

'Qual'è il temperamento dell'Arte organica?' (Antegnati's proposed temperament not pure mean-tone?), Gli Antegnati: Studi e documenti su una stirpe di organari bresciani del Rinascimento, Bologna, Patron, 1995, p.25-28

'Italian Split-Keyed Instruments with Fewer than Nineteen Divisions to the Octave' (with Denzil Wraight), Performance Practice Review Vol. 7, no. 2 1994, p.150-181

'The Cimbalo cromatico and Other Italian Keyboard Instruments with Nineteen or More Divisions to the Octave', Performance Practice Review Vol. 6, no. 1 1993, p.33-59

'Music for Cimbalo cromatico and Other Split-Keyed Instruments in Seventeenth-Century Italy', Performance Practice Review Vol. 5, no. 1 1992, p.5-43

'A Cosmopolitan Life - the career of Johann Froberger', The Listener no. 3052, 3-3-1988, p.40-41

'Questioni di stile nei mottetti di Frescobaldi', atti de l convegno internazionale di studi, Girolamo Frescobaldi (Ferrara 1983), Florence 1986, p.195-213

'Frescobaldi come musicista della controriforma?' - discussion with Claudio Annibaldi, Conversari frescobaldiani, Musica Antica III 1983, p.12-22

 
Reviews

The art of Italian continuo playing (discussion of The Performance of Italian Basso Continuo by Giulia Nuti) Early Music 35, no.4 2007, p.630-633

P. Collins: The Stylus Phantasticus and Free Keyboard Music of the North German Baroque, Early Music Today 2006

M. Boyd et al: Oxford Bach Companion, Early Music Quarterly, Summer 1999

R. Jones (ed): J.S.Bach, Englische Suiten, Music & Letters 71, no.1 1990, p.140-142

A. Silbiger (ed.): 17th Century Keyboard Music. Sources Central to the Keyboard Art of the Baroque, seven volumes of manuscripts in facsimile, Music & Letters 71, no.2 1990, p.297-303

F. Noske: Sweelinck, Music & Letters 70, no.2 1989, p.252-253

C. Jacobs (ed): Il Primo Libro de Madrigali, Early Music 13, no.3 1985, p.433-436

E. Darbellay (ed): G.Frescobaldi, Il Primo Libro di Capricci (opere complete iv), Early Music 13, no.3 1985, p.433-436

W. Salmen (ed): Die süddeutsche-österreichische Orgelmusik im 17. und 18. Jahrhundert, Early Music 11, no.3 1983, p.367

W. Salmen (ed): Orgelspiel und Orgel im 16. JahrhundertEarly Music 11, no.3 1983, p.367

R. Donnington: The Interpretation of Early Music - new revised edition, The Composer Vol. 56, 1975

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